In the late 1990s (by this time you are beginning to pick the pattern that the 1990s was my decade of many youthful follies), I was into exploring less traditional spiritual belief and rituals, and I have been particularly fascinated by the solstices. It broke my heart that I lived in a tropical country instead of one with four seasons (to be honest, I am still quite heartbroken about it even though my sister has been telling me lately not to move into a country with winters because it will make me into a crooked old woman because my bones would bend from the cold). It only added to my oddity that I used to practice small simple seasonal rituals for seasons that were just not happening here (but were nevertheless happening in my head).
Now with social media making the world just a wee bit easier to navigate, it is normal to see solstice-related posts, greetings, and celebrations that make my pagan heart stir up in nostalgia.
The title of this post, consequently, reminds me of the title of an episode in Dawson's Creek (yes, that TV series) which was The Longest Day. That was the episode where the main female character chooses the main male character's best friend. The best friend had to risk losing to all the history between the two mains because the two mains were each other's first loves.
I wept, like a naive fool, while watching that episode (which I got on DVD so I could watch it again and again and torment myself, although by now I have thrown it all away). Here was why: I had a best friend and she had a bit of a history with a man who was also my very close friend. We all worked in the same office. Their story was a kind of a loose end, because he confessed his love for her but she did not accept. Life moved on, the man and I grew close -- a separate friendship that was ours alone. I literally had to split time between him and my best friend.
You could guess how that went, I started to fall for him. Which was a very normal, almost predictable, course of Things, given that we were highly compatible, had intelligent philosophical conversations, and he never had any qualms about being sweet -- holding my hand, hugging me to comfort and console, and kissing me on the forehead when the world became way too harsh. No, those gestures of affection were never more than what they were at the moment. I never assumed, although I hoped. Fervently.
Back then I had a rather unfortunate habit of confessing. Looking back now, I see it as a manifestation of wanting to keep control. I hold the script, I call the shots, I steer the story. I wanted to set things ahead so I could prepare for all possibilities of endings, even though I only hoped for one particular kind.
So I decided to confess. Because I was impatient. Because I was afraid. Because I wanted to cross that platonic line.
Two days before I confessed, I told my best friend about it. As a courtesy, given their history, and also as my best friend. I was also, in a way, asking permission, or a blessing. Again, a courtesy. If she had said no, I would have listened. She did not say no. She said it was alright.
The next day she went to him. She said it was for closure. I vaguely remember her telling me about it before she went to meet him. I trusted her.
The day after that, my confession was pre-empted by their suddenly being a couple. I found out later that the closure was more of a last-chance-what-if-pitch-realisation of sorts. They were married a year after.
It took me seven years to get over him (and all the negative backlash of that whole experience).
On that seventh year, that was when a soul reaper, a shinigami, found me, and took me out of that battered road of hurt. His was a Death Note that turned out to be a lease for a new life instead. That shinigami led me to other shinigami, and into wielding swords, and getting tangled with the soul threads of the land of the rising sun, and a whole new chapter of my life unfolded.
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I am an artist-in-progress. I started my creative journey in 2012 and have never stopped taking steps since. Always one step at a time. Always moving forward. It has been an increasingly tough and occasionally rewarding road.
Models & Mentors
Emily W. Martin
That Curious Love of Green
The Dainty Squid
The School Of Life
Crafty Fun Kids by Sinead
David Beaver Art
Head Graffiti Studio
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Pretty Odd Peach
The Fiery Redhead
Upward Facing Blog
View From Zany Mountain
What Karen Did Next